The relationship between the two ideas is an abstract one, but by pairing them together, Pound seems to be suggesting that there is that specific kind of beauty in the station of a metro, and that the fleeting apparitions of people drifting through is no different than the wilting nature of a petal stuck to a wet tree.
The entire section is words. And although the style is uncommon, this is not at all because it is ineffective, as Ezra Pound demonstrates easily within this work.
Therefore, Pound perhaps envisioned the people in the crowd as beautiful, for the diversity they embodied.
He has left a description of how he composed it. The poem can be summarised in one sentence. He may have been inspired by a Suzuki Harunobu print he almost certainly saw in the British Library Richard Aldington mentions the specific prints he matched to verseand probably attempted to write haiku -like verse during this period.
Pound, though briefly, embraced Imagism stating that it was an important step away from the verbose style of Victorian literature and suggested that it "is the sort of American stuff I can show here in Paris without its being ridiculed".
But what does the poem mean, precisely? Words are like Leaves; and where they most abound, Much Fruit of Sense beneath is rarely found. More important, he may have not seen the faces clearly and saw only a blur that he interpreted as a vision of attractiveness. Woman Admiring Plum Blossoms at Night, Suzuki Harunobu18th century Like other modernist artists of the period, Pound found inspiration in Japanese art, but the tendency was to re-make and to meld cultural styles rather than to copy directly or slavishly.
Such a technique is less about juxtaposing, or placing side by side, the two images, and more about superposition, that is, placing one on top of the other. Ezra Pound was born in Hailey, Idaho, on October 30, The reason for formulating such assertion is because of this: The second line of the poem renders one word that overshadows all the rest: When one thinks of apparition, the first thing that comes to mind is a ghostly figure.
In a Station of the Metro Analysis On their own, each of the two sentence fragments that make up this work have almost no real meaning. Thus, Pound takes the two words and morphs them together as one to get a greater effect, meaning that when he witnessed mysterious faces in the crowd with various colors and shapes, it rendered a good-looking sight in his eyes.
The word apparition alone means a ghostly figure, something strange or unusual that suddenly comes into view. The poem is essentially a set of images that have unexpected likeness and convey the rare emotion that Pound was experiencing at that time. Start with that image.
In their places he advocated precise, careful presentation of specific images accurately rendered. One of the best aspects of poetry is its total lack of rules.
In this image, the reader is presented with the idea of small, fleeting, and weak elements of beauty within the natural world. They are apparitions, in one place for one moment, and then gone forever in the next.
The apparition of these faces in the crowd; Petals on a wet, black bough. Elizabeths Hospital in Washington, D.
Unlock This Study Guide Now Start your hour free trial to unlock this 3-page In a Station of the Metro study guide and get instant access to the following: In many ways, this poem is impossible to truly define. Although Pound would later move beyond this rather limited concept, he retained the essential parts of it, and many of the passages in the Cantos are basically Imagist in their style.
Inhe was acquitted, but declared mentally ill and committed to St.
Arguably the heart of the poem is not the first line, nor the second, but the mental process that links the two together. This short piece illustrates his imagistic talent because the entire poem deals with images alone.
Yet it cries out for analysis and discussion, since its striking style and form suggest much in just a few words. Knopf, ; Wikimedia Commons; public domain.
But as with T. However, the images are captivating and make the poem move beyond the literal, for the two images that stand out are apparition and petals. The petal weathers, the petal is rained on, and eventually, that petal wilts and dies, just like each person entering and leaving the view of the author.
The poem appears to be a translation of some Japanese haiku, and while Pound was undoubtably influenced by that tradition, his poem was completely original. Rather than describing something — an object or situation — and then generalizing about it, imagist poets attempted to present the object directly, avoiding the ornate diction and complex but predictable verse forms of traditional poetry.
To some, the poem might say more in its structure, as a verbless imagist poem of fourteen words than with those fourteen words. Verbless Poetry As previously mentioned, one of the most striking elements of In the Station of a Metro is that it is written entirely without verbs.
To others, it is the definition of an unusual emotion, one that does not have a correlating word in the English Dictionary.Ezra Pound was born in Hailey, Idaho, on October 30, He completed two years of college at the University of Pennsylvania and earned.
Technical analysis of In a Station of the Metro literary devices and the technique of Ezra Pound. Dec 06, · Ezra Pound was a rebel and wanted to do things his way in regard to poetry – and so he did. In the introduction of The Norton Anthology of American Literature (Volume D), it states: “Pound first campaigned for.
"In A Station of the Metro" is an Imagist poem by Ezra Pound published in in the literary magazine Poetry. In the poem, Pound describes a moment in the underground metro station in Paris in ; Pound suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation".
Summary of "In a Station of the Metro" of the poem In a Station of the Metro. Line-by-line analysis. In a Station of the Metro by Ezra Pound. Home / Poetry / In a Station of the Metro / Summary / The poet is watching faces appear in a crowded metro (subway) station.
Pound drew inspiration from Japanese poetry throughout his career, and In a Station of the Metro is an excellent example of that influence.
However, instead of giving each musical phrase in the poem its own line, Pound used extra spaces to create pauses within the poem's 2-line structure.Download